{"id":2804,"date":"2019-12-11T04:55:33","date_gmt":"2019-12-11T04:55:33","guid":{"rendered":"http:\/\/localhost:81\/library\/?page_id=2804"},"modified":"2019-12-11T13:00:15","modified_gmt":"2019-12-11T13:00:15","slug":"audio-video-library","status":"publish","type":"page","link":"https:\/\/iias.ac.in\/library\/?page_id=2804","title":{"rendered":"Audio\/Video Library"},"content":{"rendered":"
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\n\t\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Sr. No.<\/th>Name of the Films<\/th>Director<\/th>\n<\/tr>\n<\/thead>\n
1<\/td>15 Park Avenue<\/td>Aparna Sen<\/td>\n<\/tr>\n
2<\/td>16mm Memories Movement<\/td>Manoj K.R.<\/td>\n<\/tr>\n
3<\/td>17 August: Alexander Gutman<\/td>Alexander Gutman<\/td>\n<\/tr>\n
4<\/td>36 Chowringhee Lane<\/td>Aparna Sen<\/td>\n<\/tr>\n
5<\/td>68 Pages<\/td>Sridhar Rangayan<\/td>\n<\/tr>\n
6<\/td>7 Islands and a Metro<\/td>Madhusree Dutta<\/td>\n<\/tr>\n
7<\/td>A Bit of the Earth, A Bit of the Sky\u00a0Thodi Si Zameen Thoda Aasmaan\u00a0Gupta<\/td>Shashi Ghosh<\/td>\n<\/tr>\n
8<\/td>A Day in the Life of Ponga Pandit<\/td>Sanjay Maharishi & Sudhanva Deshpande<\/td>\n<\/tr>\n
9<\/td>A Fragment of History<\/td>Uma Chakravarti<\/td>\n<\/tr>\n
10<\/td>A guide to meditation techniques<\/td><\/td>\n<\/tr>\n
11<\/td>A Healer is Born<\/td>Gargi Sen<\/td>\n<\/tr>\n
12<\/td>A Human Question<\/td>T Jayashree<\/td>\n<\/tr>\n
13<\/td>A Million Steps<\/td>Pankaj Butalia<\/td>\n<\/tr>\n
14<\/td>A Woman\u2019s Place<\/td>Paromita Vohra<\/td>\n<\/tr>\n
15<\/td>Abhijan<\/td>Satyajito Ray<\/td>\n<\/tr>\n
16<\/td>Abohoman<\/td>Rituparno Ghosh<\/td>\n<\/tr>\n
17<\/td>Adha Asman\u00a0Women\u2019s Access to Healthcare<\/td>Samina Mishra<\/td>\n<\/tr>\n
18<\/td>AIDS Has a Face<\/td>T Jayashree<\/td>\n<\/tr>\n
19<\/td>Amanush<\/td>Shakti Samnta<\/td>\n<\/tr>\n
20<\/td>Ankur<\/td>Shyam Benegal<\/td>\n<\/tr>\n
21<\/td>Antarmahal (Bengali)<\/td>Rituparna Ghosh<\/td>\n<\/tr>\n
22<\/td>Anuranan (Bengali)<\/td>Anirudha Chowdhary<\/td>\n<\/tr>\n
23<\/td>Aparajito (Bengali)<\/td>Satyajito Ray<\/td>\n<\/tr>\n
24<\/td>Apna Jungle Apni Kahani<\/td>Krishnendu Bose<\/td>\n<\/tr>\n
25<\/td>Aranyer Dinratri (Bengali)<\/td>Satyajit Ray<\/td>\n<\/tr>\n
26<\/td>Ardh Satya<\/td>Govind Nihlani<\/td>\n<\/tr>\n
27<\/td>Ashani Sanket<\/td>Satyajito Ray<\/td>\n<\/tr>\n
28<\/td>Autumn\u2019s Final Country<\/td>Sonia Jabbar<\/td>\n<\/tr>\n
29<\/td>Baba Black Beard<\/td>Sanghamitra Karmakar<\/td>\n<\/tr>\n
30<\/td>Ballad of Builders\u00a0Takhleeq ka Tarana<\/td>Gargi Sen<\/td>\n<\/tr>\n
31<\/td>Bandini (Hindi)<\/td>Bimal Roy<\/td>\n<\/tr>\n
32<\/td>Bandit Queen<\/td>Shekhar Kapur<\/td>\n<\/tr>\n
33<\/td>Because of Our Rights\u00a0Apne Haq Ke Liye<\/td>Gargi Sen, Sujit Ghosh & Ranjan De<\/td>\n<\/tr>\n
34<\/td>Best of Gulzar (Koshish, Parichay, Aandhi, Khushboo)<\/td>Gulzar<\/td>\n<\/tr>\n
35<\/td>Between Gandhi and Hitler<\/td>Anja Freyhoff<\/td>\n<\/tr>\n
36<\/td>Between the Devil and the Deep sea<\/td>Saraswati Rao Kavula<\/td>\n<\/tr>\n
37<\/td>Beware Dogs<\/td>Spandan Banerjee<\/td>\n<\/tr>\n
38<\/td>Beyond the Wheel<\/td>Rajula Shah<\/td>\n<\/tr>\n
39<\/td>Bhagwan Das: In Pursuit of Ambedkar<\/td>S. Anand<\/td>\n<\/tr>\n
40<\/td>Bharat ek Khoj in 9 CD Pack (53 Episode)<\/td>Shyam Benegal<\/td>\n<\/tr>\n
41<\/td>Bheja Fry<\/td>Sagar Ballary<\/td>\n<\/tr>\n
42<\/td>Biogas\u00a0A renewable energy alternative to firewood<\/td>Vineet Sabharwal<\/td>\n<\/tr>\n
43<\/td>Bishar Blues<\/td>Amitabh Chakraborty<\/td>\n<\/tr>\n
44<\/td>Black Friday<\/td>Anurag Kashyap<\/td>\n<\/tr>\n
45<\/td>Blue Black Yellow<\/td>R. V. Ramani<\/td>\n<\/tr>\n
46<\/td>Blue Umbrella<\/td>Vishal Bhardwaj<\/td>\n<\/tr>\n
47<\/td>Bom: One day ahead of Democracy<\/td>Datta, Amlan<\/td>\n<\/tr>\n
48<\/td>Bomnaiyer Bombatay<\/td>Sandeep Roy<\/td>\n<\/tr>\n
49<\/td>Born At Home<\/td>Sameera Jain<\/td>\n<\/tr>\n
50<\/td>Born Into Struggle<\/td>Rehad Desai<\/td>\n<\/tr>\n
51<\/td>Bose: the forgotten hero<\/td>Shyam Benegal<\/td>\n<\/tr>\n
52<\/td>Brahma Vishnu Shiva<\/td>R. V. Ramani<\/td>\n<\/tr>\n
53<\/td>Break Free<\/td>Bipasa Basu<\/td>\n<\/tr>\n
54<\/td>Breaking the barriers<\/td>Narain, Sushma<\/td>\n<\/tr>\n
55<\/td>Breathing Without Air<\/td>Kapilas Bhuyan<\/td>\n<\/tr>\n
56<\/td>Breathing Without Air<\/td>Kapilas Bhuyan<\/td>\n<\/tr>\n
57<\/td>Bushman\u2019s Secret<\/td>Rehad Desai<\/td>\n<\/tr>\n
58<\/td>Calcutta Pride March 2004<\/td>Tejal Shah<\/td>\n<\/tr>\n
59<\/td>Carrying their Voices<\/td>Gargi Sen<\/td>\n<\/tr>\n
60<\/td>Chaliyar... The Final Struggle)<\/td>P. Baburaj & C. Saratchandran<\/td>\n<\/tr>\n
61<\/td>Chandni Bar<\/td>Madhur Bhandarkar<\/td>\n<\/tr>\n
62<\/td>Charulata<\/td>Satyajito Ray<\/td>\n<\/tr>\n
63<\/td>Chaudhvin ka Chand<\/td>M. Sadiq<\/td>\n<\/tr>\n
64<\/td>Children of the Pyre<\/td>Scott O\u2019Brien & Saw Eh Do Wah<\/td>\n<\/tr>\n
65<\/td>Chiriakhana<\/td>Satyajito Ray<\/td>\n<\/tr>\n
66<\/td>Chokher Bali<\/td>Rituparno Ghosh<\/td>\n<\/tr>\n
67<\/td>City Swimmers<\/td>Margaret Dickinson<\/td>\n<\/tr>\n
68<\/td>Class of 2001Communications<\/td>Vani Subramanian & Surajit Sarkar<\/td>\n<\/tr>\n
69<\/td>Coding Culture\u00a0Bangalore\u2019s Software Industry:<\/td>Gautam Sonti<\/td>\n<\/tr>\n
70<\/td>Colours Black<\/td>Mamta Murthy<\/td>\n<\/tr>\n
71<\/td>Colours of Nature<\/td>Madhyama Subramanium & Ananya Roy<\/td>\n<\/tr>\n
72<\/td>Colours of the Earth<\/td>Kavita Das Gupta<\/td>\n<\/tr>\n
73<\/td>Cosmopolis\u00a0Two Tales of a City<\/td>Paromita Vohra<\/td>\n<\/tr>\n
74<\/td>Creeks of Conflict<\/td>Krishnendu Bose<\/td>\n<\/tr>\n
75<\/td>Current<\/td>Hariharna K.<\/td>\n<\/tr>\n
76<\/td>Daily Sutra: Power Yoga<\/td>Trisha Maharaj Singh<\/td>\n<\/tr>\n
77<\/td>Dance with Hands held Tight<\/td>Krishnendu Bose & Kavita Das Gupta<\/td>\n<\/tr>\n
78<\/td>Death Life Etc.<\/td>Arghya Basu<\/td>\n<\/tr>\n
79<\/td>Delhi Mumbai Delhi<\/td>Saba Dewan<\/td>\n<\/tr>\n
80<\/td>Delinquent Angel<\/td>David Blackall<\/td>\n<\/tr>\n
81<\/td>Development At Gunpoint\u00a0Unnayan - Banduker Nale<\/td>Pramod Gupta<\/td>\n<\/tr>\n
82<\/td>Devi<\/td>Satyajito Ray<\/td>\n<\/tr>\n
83<\/td>Dharavi<\/td>Sudhir Mishra<\/td>\n<\/tr>\n
84<\/td>Dharavi: Slum for Sale<\/td>Lutz Konermann<\/td>\n<\/tr>\n
85<\/td>Diamonds in a Vegetable Market\u00a0Sabzi Mandi ke Heere<\/td>Nilita Vachani<\/td>\n<\/tr>\n
86<\/td>Diksha<\/td>Arun Kaul<\/td>\n<\/tr>\n
87<\/td>Dil Se<\/td>Ratnam Mani<\/td>\n<\/tr>\n
88<\/td>Divorce Iranian Stylen<\/td>Kim Longinotto<\/td>\n<\/tr>\n
89<\/td>Dor<\/td>Nagesh Kukunoor<\/td>\n<\/tr>\n
90<\/td>Dove Days<\/td>Barri Cohen<\/td>\n<\/tr>\n
91<\/td>Downwind<\/td>Metni, Jawad<\/td>\n<\/tr>\n
92<\/td>Drishti<\/td>Govind Nihalani<\/td>\n<\/tr>\n
93<\/td>Duniya na mane<\/td>V Avdhoot<\/td>\n<\/tr>\n
94<\/td>Ek Doctor Ki Maut<\/td>Tapan Sinha<\/td>\n<\/tr>\n
95<\/td>Ek Ruka hua Faisla<\/td>Basu Chatterjee<\/td>\n<\/tr>\n
96<\/td>Ekdin Pratidin<\/td>Sen Mrinal<\/td>\n<\/tr>\n
97<\/td>Erased<\/td>Neha Raheja Thakker<\/td>\n<\/tr>\n
98<\/td>Erosion\u00a0Bhangon<\/td>Sourav Sarangi<\/td>\n<\/tr>\n
99<\/td>Every Good Marriage Begins With Tears:<\/td>Simon Chambers<\/td>\n<\/tr>\n
100<\/td>Eviction<\/td>Grady Walker<\/td>\n<\/tr>\n
101<\/td>Face Like a Man<\/td>R. V. Ramani<\/td>\n<\/tr>\n
102<\/td>Figures of thought<\/td>Khopkar, Arun<\/td>\n<\/tr>\n
103<\/td>Firaaq<\/td>Das Nandita<\/td>\n<\/tr>\n
104<\/td>Fishers of Men<\/td>Ranjan Kamath & Padmavati Rao<\/td>\n<\/tr>\n
105<\/td>Flowers of the Sky\u00a0Akasa Kusum)<\/td>Prasanna Vithanage<\/td>\n<\/tr>\n
106<\/td>Following the Rhythms<\/td>Sanjay Barnela<\/td>\n<\/tr>\n
107<\/td>Footwear\u00a0Seruppu<\/td>Amudhan R. P.<\/td>\n<\/tr>\n
108<\/td>Frames of War\u00a0Yuddha Chitra<\/td>Kesang Tseten (Lama) & Prem B. K.<\/td>\n<\/tr>\n
109<\/td>From Dust<\/td>Dhruv Dhawan<\/td>\n<\/tr>\n
110<\/td>Gandhi<\/td>Richard Attenbotough<\/td>\n<\/tr>\n
111<\/td>Gandhi<\/td>Richard Attenborough<\/td>\n<\/tr>\n
112<\/td>Gandhi: end of an empire<\/td>Ketan Mehta<\/td>\n<\/tr>\n
113<\/td>Gender Trouble<\/td>Roz Mortimer<\/td>\n<\/tr>\n
114<\/td>Goa Under Siege<\/td>Gargi Sen<\/td>\n<\/tr>\n
115<\/td>Goddess of Food\u00a0Annapurna)<\/td>Paromita Vohra & T Jayashree<\/td>\n<\/tr>\n
116<\/td>Goddesses<\/td>Leena Manimekalai<\/td>\n<\/tr>\n
117<\/td>Good parenting for a happy childhood<\/td><\/td>\n<\/tr>\n
118<\/td>Goopy Bagha Phiray Do (Bengali)<\/td>Ray Sandeep<\/td>\n<\/tr>\n
119<\/td>Gopy Gyane Bagha Byne<\/td>Satyajito Ray<\/td>\n<\/tr>\n
120<\/td>Gulzar, Samporan Singh<\/td>Hu Tu Tu<\/td>\n<\/tr>\n
121<\/td>Gumrah<\/td>B.R. Chopra<\/td>\n<\/tr>\n
122<\/td>Harvest of Grief<\/td>Anwar Jamal<\/td>\n<\/tr>\n
123<\/td>Harvesting Hunger<\/td>Krishnendu Bose<\/td>\n<\/tr>\n
124<\/td>Hazaaron Khwaishein Aisi<\/td>Sudhir Mishra<\/td>\n<\/tr>\n
125<\/td>Heaven on Earth<\/td>R. V. Ramani<\/td>\n<\/tr>\n
126<\/td>Hirak Rajar Deshe<\/td>Satyajito Ray<\/td>\n<\/tr>\n
127<\/td>Hitler: a career<\/td>Joochim C. Fest<\/td>\n<\/tr>\n
128<\/td>Hold Me Tight, Let Me Go<\/td>Kim Longinotto<\/td>\n<\/tr>\n
129<\/td>Holiday Camp\u00a0How is your liberation bound up with mine?<\/td>Jennifer Lyons Reid & Carl Kuddell<\/td>\n<\/tr>\n
130<\/td>Hot Off the Press\u00a0Tazaa Khabar<\/td>Bishakha Datta<\/td>\n<\/tr>\n
131<\/td>Hunting Down Water)<\/td>Sanjay Barnela & Vasant Saberwal<\/td>\n<\/tr>\n
132<\/td>I Do Form to be Deformed\u00a0Gothito Hoi Shunne Milai<\/td>Fauzia Khan<\/td>\n<\/tr>\n
133<\/td>I Live in Behrampada<\/td>Madhusree Dutta<\/td>\n<\/tr>\n
134<\/td>I Ranu Gayen<\/td>Shyamal Karmakar<\/td>\n<\/tr>\n
135<\/td>I\u2019m the Very Beautiful!<\/td>Shyamal Karmakar<\/td>\n<\/tr>\n
136<\/td>Identity\u00a0The Construction of Selfhood<\/td>Anjali Monteiro & K.P Jayasankar<\/td>\n<\/tr>\n
137<\/td>If I Die<\/td>R. V. Ramani<\/td>\n<\/tr>\n
138<\/td>Ijjat<\/td>Gulzar<\/td>\n<\/tr>\n
139<\/td>Images of Development<\/td>Pramod Gupta<\/td>\n<\/tr>\n
140<\/td>Immoral daughters in the land of<\/td>Sawhney, Nakul Singh<\/td>\n<\/tr>\n
141<\/td>In Search of Green Gold<\/td>Gargi Sen<\/td>\n<\/tr>\n
142<\/td>In Search of the Riyal\u00a0Going, Being There, Returning<\/td>Kesang Tseten (Lama)<\/td>\n<\/tr>\n
143<\/td>In the Forest Hangs a Bridge<\/td>Sanjay Kak<\/td>\n<\/tr>\n
144<\/td>Invisible<\/td>Roz Mortimer<\/td>\n<\/tr>\n
145<\/td>Is School the Thing That Makes a King?\u00a0Dialogues With Children Padhoge Likhoge:<\/td>Vani Subramanian & Surajit Sarkar<\/td>\n<\/tr>\n
146<\/td>Jahaji Music\u00a0India in the Caribbean<\/td>Surabhi Sharma<\/td>\n<\/tr>\n
147<\/td>Jalsaghar<\/td>Satyajito Ray<\/td>\n<\/tr>\n
148<\/td>Jana Aranya (Bengali)<\/td>Satyajit Ray<\/td>\n<\/tr>\n
149<\/td>Jari Mari\u00a0Of cloth and other stories<\/td>Surabhi Sharma<\/td>\n<\/tr>\n
150<\/td>Jaya Ganga<\/td>Vijay Singh<\/td>\n<\/tr>\n
151<\/td>Joggers Park<\/td>Anant Balani<\/td>\n<\/tr>\n
152<\/td>Joi Baba Felunath<\/td>Satyajito Ray<\/td>\n<\/tr>\n
153<\/td>Jump Start with Kunal Sharma<\/td><\/td>\n<\/tr>\n
154<\/td>Jungle Tales\u00a0Surviving Development in Uttara Kannada)<\/td>Anjali Monteiro & K.P Jayasankar<\/td>\n<\/tr>\n
155<\/td>Junoon<\/td>Benegal Shyam<\/td>\n<\/tr>\n
156<\/td>Kalyug<\/td>Shyam Benegal<\/td>\n<\/tr>\n
157<\/td>Kanchajangha<\/td>Satyajito Ray<\/td>\n<\/tr>\n
158<\/td>Kapurush-O-Mahapursh<\/td>Satyajito Ray<\/td>\n<\/tr>\n
159<\/td>Karen Education Surviving<\/td>Scott O\u2019Brien & Saw Eh Do Wah<\/td>\n<\/tr>\n
160<\/td>Katha<\/td>Farooq Shaikh<\/td>\n<\/tr>\n
161<\/td>Khap<\/td>Ajai Sinha<\/td>\n<\/tr>\n
162<\/td>Khosla ka Ghosla<\/td>Dibakar Banerjee<\/td>\n<\/tr>\n
163<\/td>Krantiveer<\/td>Dinesh Gandhi<\/td>\n<\/tr>\n
164<\/td>Kya Kahna<\/td>Kundan Shah<\/td>\n<\/tr>\n
165<\/td>Kya Main Qaafir Hoon?\u00a0Am I a Non-Believer?<\/td>Sandhir Flora<\/td>\n<\/tr>\n
166<\/td>Lalon<\/td>Tanvir Mokammel<\/td>\n<\/tr>\n
167<\/td>Language of War<\/td>R. V. Ramani<\/td>\n<\/tr>\n
168<\/td>Last Family<\/td>R. V. Ramani<\/td>\n<\/tr>\n
169<\/td>Last Lear<\/td>Rituparno Ghosh<\/td>\n<\/tr>\n
170<\/td>Lines of Mahatma<\/td>R. V. Ramani<\/td>\n<\/tr>\n
171<\/td>Listen O\u2019 Friends\u00a0Ailo Bailo Sailo<\/td>Madhusree Dutta<\/td>\n<\/tr>\n
172<\/td>Little Republics\u00a0A Series of 3 Films<\/td>Gautam Sonti<\/td>\n<\/tr>\n
173<\/td>Living With AIDS<\/td>T Jayashree<\/td>\n<\/tr>\n
174<\/td>Looking for Amitabh<\/td>Meenakshi Shedde<\/td>\n<\/tr>\n
175<\/td>Love in India<\/td>Mukherjee, Kaushik<\/td>\n<\/tr>\n
176<\/td>Love Yourself<\/td>Bipasa Basu<\/td>\n<\/tr>\n
177<\/td>Machhendranath\u00a0On the Road with the Red God<\/td>Kesang Tseten (Lama)<\/td>\n<\/tr>\n
178<\/td>Made In India<\/td>Madhusree Dutta<\/td>\n<\/tr>\n
179<\/td>Mahabharat (In 19 CD Pack)<\/td>B.R. Chopra<\/td>\n<\/tr>\n
180<\/td>Mahnagar<\/td>Satyajito Ray<\/td>\n<\/tr>\n
181<\/td>Mahua Memoirs<\/td>Vinod Raja<\/td>\n<\/tr>\n
182<\/td>Mammo<\/td>Bengal Shyam<\/td>\n<\/tr>\n
183<\/td>Mandi<\/td>Shyam Benegal<\/td>\n<\/tr>\n
184<\/td>Manipur Song<\/td>Pankaj Butalia<\/td>\n<\/tr>\n
185<\/td>Manjuben Truck Driver<\/td>Sherna Dastur<\/td>\n<\/tr>\n
186<\/td>Many People, Many Desires<\/td>T Jayashree<\/td>\n<\/tr>\n
187<\/td>Maqbool<\/td>Vishal Bhardwaj<\/td>\n<\/tr>\n
188<\/td>Matchstick\u00a0Machis ko Sinka<\/td>Radhamohini Prasad<\/td>\n<\/tr>\n
189<\/td>Meals Ready\u00a0The Business of Rice, the Question of Food<\/td>Vani Subramanian & Surajit Sarkar<\/td>\n<\/tr>\n
190<\/td>Memories of a Future<\/td>Margaret Dickinson & Pepe Petos<\/td>\n<\/tr>\n
191<\/td>Milind Soman Made Me Gay\u00a0Memories of Home and Abroad<\/td>Harjant Gill<\/td>\n<\/tr>\n
192<\/td>Minukku<\/td>M R Rajan<\/td>\n<\/tr>\n
193<\/td>ML 05 B 6055<\/td>Ruchika Negi, Amit Mahanti & Subhashim Goswami<\/td>\n<\/tr>\n
194<\/td>Moksha<\/td>Pankaj Butalia<\/td>\n<\/tr>\n
195<\/td>Monsoon Cloud\u00a0Mungaara Mugilu<\/td>M. S. Prakash Babu<\/td>\n<\/tr>\n
196<\/td>Morning Raga<\/td>Mahesh Dattani<\/td>\n<\/tr>\n
197<\/td>Mother India<\/td>Khan Mehboob<\/td>\n<\/tr>\n
198<\/td>Mr. and Mrs. Iyer<\/td>Aparna Sen<\/td>\n<\/tr>\n
199<\/td>Mughal E Azam<\/td>Asif K.<\/td>\n<\/tr>\n
200<\/td>My Mother India<\/td>Safina Uberoi<\/td>\n<\/tr>\n
201<\/td>My Village is Theatre, My Name is Habib\u00a0Gaon Ke Naon Theatre, Mor Naon Habib<\/td>Sudhanva Deshpande & Sanjay Maharishi<\/td>\n<\/tr>\n
202<\/td>Nandigram\u00a0Asmaan Ke Talaash Mein<\/td>Prakash Kumar Ray<\/td>\n<\/tr>\n
203<\/td>Narrow is the Gate<\/td>Kersti Uibo<\/td>\n<\/tr>\n
204<\/td>Naya Daur<\/td>B.R. Chopra<\/td>\n<\/tr>\n
205<\/td>Nayak<\/td>Satyajito Ray<\/td>\n<\/tr>\n
206<\/td>New (Improved) Delhi\u00a0Director\u2019s Cut<\/td>Vani Subramanian<\/td>\n<\/tr>\n
207<\/td>Nima Temba Sherpa<\/td>Margriet Jansen<\/td>\n<\/tr>\n
208<\/td>Not extraordinaire<\/td>Palikar Amol<\/td>\n<\/tr>\n
209<\/td>Notes From the Crematorium<\/td>Amudhan R. P.<\/td>\n<\/tr>\n
210<\/td>Notes on Man Capture<\/td>Nandini Bedi<\/td>\n<\/tr>\n
211<\/td>Nottam\u00a0A Biographical Film on Keezpadam Kumaran Nair The Look<\/td>M R Rajan<\/td>\n<\/tr>\n
212<\/td>Nusrat Has Left the Building... But When?<\/td>Farjad Nabi<\/td>\n<\/tr>\n
213<\/td>Of Hosts and Hostages<\/td>Gargi Sen<\/td>\n<\/tr>\n
214<\/td>Oh my God!<\/td>Umesh Shukla<\/td>\n<\/tr>\n
215<\/td>Omkara<\/td>Vishal Bhardwaj<\/td>\n<\/tr>\n
216<\/td>On the Buses<\/td>Zoe Young<\/td>\n<\/tr>\n
217<\/td>One Two Three Four<\/td>R. V. Ramani<\/td>\n<\/tr>\n
218<\/td>Only An Axe Away<\/td>P. Baburaj & C. Saratchandran<\/td>\n<\/tr>\n
219<\/td>Oranges and Mangoes<\/td>Chhabra, Priyanka<\/td>\n<\/tr>\n
220<\/td>Our Family<\/td>Anjali Monteiro & K.P Jayasankar<\/td>\n<\/tr>\n
221<\/td>Our Symbol<\/td>R. V. Ramani<\/td>\n<\/tr>\n
222<\/td>Out of Thin Air\u00a0A documentary on Ladakh through its local cinema<\/td>Shabani Hassanwalia & Samreen Farooqui<\/td>\n<\/tr>\n
223<\/td>Outsiders\u00a0Bhaile<\/td>Ajay Noronha<\/td>\n<\/tr>\n
224<\/td>P(l)ain Truth<\/td>Ilppo Pohjola<\/td>\n<\/tr>\n
225<\/td>Paa<\/td>R. Balki<\/td>\n<\/tr>\n
226<\/td>Paar<\/td>Gautam Ghosh<\/td>\n<\/tr>\n
227<\/td>Page 3<\/td>Madhur Bhandarkar<\/td>\n<\/tr>\n
228<\/td>Parash Pathar<\/td>Satyajito Ray<\/td>\n<\/tr>\n
229<\/td>Party<\/td>Govind Nihalani<\/td>\n<\/tr>\n
230<\/td>Passengers\u00a0A Video Journey in Gujarat<\/td>Nooh Nizami & Akanksha Joshi<\/td>\n<\/tr>\n
231<\/td>Patents or Patients?<\/td>Joost De Haas & Egbert Roemers<\/td>\n<\/tr>\n
232<\/td>Pather Panchali (Bengali)<\/td>K. Hariharan<\/td>\n<\/tr>\n
233<\/td>Pazzania<\/td>Rahul Dhilakia<\/td>\n<\/tr>\n
234<\/td>Peace Mission\u00a0A documentary about Nollywood<\/td>Dorothee Wenner<\/td>\n<\/tr>\n
235<\/td>Phatikchand<\/td>Satyajito Ray<\/td>\n<\/tr>\n
236<\/td>Pinjar<\/td>Chandraprakash Dwivedi<\/td>\n<\/tr>\n
237<\/td>Pink Saris<\/td>Kim Longinotto<\/td>\n<\/tr>\n
238<\/td>Portrait of Sakhi<\/td>Kim Longinotto<\/td>\n<\/tr>\n
239<\/td>Pramila and Parvati<\/td>Shilpa Ranade<\/td>\n<\/tr>\n
240<\/td>Pratidwandi<\/td>Satyajito Ray<\/td>\n<\/tr>\n
241<\/td>Present Times\u00a0Samakal<\/td>Manjira Datta<\/td>\n<\/tr>\n
242<\/td>Prestering Journey<\/td>Manoj, K.R.<\/td>\n<\/tr>\n
243<\/td>Pride of Place<\/td>Kim Longinotto<\/td>\n<\/tr>\n
244<\/td>Q2P<\/td>Paromita Vohra<\/td>\n<\/tr>\n
245<\/td>Quiet Flows the River Chitra\u00a0Chitra Nadir Pare<\/td>Tanvir Mokammel<\/td>\n<\/tr>\n
246<\/td>Radiation Stories<\/td>Amudhan R. P.<\/td>\n<\/tr>\n
247<\/td>Rasikapriya<\/td>Arun Khopkar<\/td>\n<\/tr>\n
248<\/td>Relationship\u00a0Rishte<\/td>Manjira Datta<\/td>\n<\/tr>\n
249<\/td>Remembrance of Things Present<\/td>Chandra Siddan<\/td>\n<\/tr>\n
250<\/td>Restless Shores<\/td>Noel Rajesh<\/td>\n<\/tr>\n
251<\/td>Revolution and After<\/td>Krishnendu Bose<\/td>\n<\/tr>\n
252<\/td>Right to Information<\/td>Anurag Singh<\/td>\n<\/tr>\n
253<\/td>River Taming Mantras<\/td>River Taming Mantras<\/td>\n<\/tr>\n
254<\/td>Road to Sangam<\/td>Amit Rai<\/td>\n<\/tr>\n
255<\/td>Rui Ka Bojh<\/td>Agrawal Subhash<\/td>\n<\/tr>\n
256<\/td>Rumble in Mumbai<\/td>Jawad Metni<\/td>\n<\/tr>\n
257<\/td>Saa<\/td>R. V. Ramani<\/td>\n<\/tr>\n
258<\/td>Sadar<\/td>Ketan Mehta<\/td>\n<\/tr>\n
259<\/td>Sahib Bibi aur Ghulam<\/td>Abrar Alvi<\/td>\n<\/tr>\n
260<\/td>Salah: An African toubab<\/td>Margriet Jansen<\/td>\n<\/tr>\n
261<\/td>Sampuran Ramayana (In 20 CD Pack)<\/td>Sagar Ramanand<\/td>\n<\/tr>\n
262<\/td>Sanchari<\/td>Arun Khopkar<\/td>\n<\/tr>\n
263<\/td>Sarpat<\/td>Abhay Tiwari<\/td>\n<\/tr>\n
264<\/td>Scribbles on Akka<\/td>Madhusree Dutta<\/td>\n<\/tr>\n
265<\/td>Search for Freedom:\u00a0A Story About Four Afghan Women<\/td>Munizae Jahangir<\/td>\n<\/tr>\n
266<\/td>Season<\/td>R. V. Ramani<\/td>\n<\/tr>\n
267<\/td>Seeds of Well Being\u00a0Tolakari<\/td>Ranjan De<\/td>\n<\/tr>\n
268<\/td>Seemabaddha<\/td>Satyajito Ray<\/td>\n<\/tr>\n
269<\/td>Shakha Proshakha<\/td>Satyajito Ray<\/td>\n<\/tr>\n
270<\/td>SheWrite<\/td>Anjali Monteiro & K.P Jayasankar<\/td>\n<\/tr>\n
271<\/td>Shilpa Yoga: an introduction<\/td>Shilpa Shetty<\/td>\n<\/tr>\n
272<\/td>Shit\u00a0Pee<\/td>Amudhan R. P.<\/td>\n<\/tr>\n
273<\/td>Shri Krishna (in 55CD Pack)<\/td>Sagar Ramanand<\/td>\n<\/tr>\n
274<\/td>Sikkim: Musical Journey with Satyat Ray<\/td>Satyajito Ray<\/td>\n<\/tr>\n
275<\/td>Sikkim: unseen for long 39 Years<\/td>Satyajito Ray<\/td>\n<\/tr>\n
276<\/td>Silent Hues\u00a0The invisible spectrum of child actors<\/td>R. Rohini<\/td>\n<\/tr>\n
277<\/td>Silsila<\/td>Yash Chopra<\/td>\n<\/tr>\n
278<\/td>Sisters in Law<\/td>Kim Longinotto<\/td>\n<\/tr>\n
279<\/td>Skin Deep<\/td>Reena Mohan<\/td>\n<\/tr>\n
280<\/td>Something Like a War<\/td>Deepa Dhanraj<\/td>\n<\/tr>\n
281<\/td>Sona Maati\u00a0A Very Ordinary Gold<\/td>Sehjo Singh<\/td>\n<\/tr>\n
282<\/td>Sonar Kella<\/td>Satyajito Ray<\/td>\n<\/tr>\n
283<\/td>Sparsh<\/td>Sai Paranjpye<\/td>\n<\/tr>\n
284<\/td>Story Maker: Story Taker\u00a0Kahankar: Ahankar<\/td>Anjali Monteiro & K.P Jayasankar<\/td>\n<\/tr>\n
285<\/td>Story Tellers<\/td>Prasanth Kumar R. & Daya. J.<\/td>\n<\/tr>\n
286<\/td>Suits and Savages:\u00a0Why the World Bank Won\u2019t Save the World<\/td>Zoe Young & Dylan Howitt<\/td>\n<\/tr>\n
287<\/td>Sundari: An Actor Prepares)<\/td>Madhusree Dutta<\/td>\n<\/tr>\n
288<\/td>Suraj ka Satvan Ghoda<\/td>Shyam Benegal<\/td>\n<\/tr>\n
289<\/td>Taj Mahal<\/td>M. Sadiq<\/td>\n<\/tr>\n
290<\/td>Tajuddin Ahmad: An Unsung Hero:\u00a0Tajuddin Ahmad: Nissonga Sarathi<\/td>Tanvir Mokammel<\/td>\n<\/tr>\n
291<\/td>Tales From the Margins<\/td>Kavita Joshi<\/td>\n<\/tr>\n
292<\/td>Tales of the Night Fairies\u00a0Raat Porider Katha<\/td>Shohini Ghosh<\/td>\n<\/tr>\n
293<\/td>Tamas (in four CD set)<\/td>Govind Nihalani<\/td>\n<\/tr>\n
294<\/td>Tantra:\u00a0The Beauty of the Barren Land<\/td>Susant Mani<\/td>\n<\/tr>\n
295<\/td>Taxi to Timbuktu<\/td>Christopher Walker<\/td>\n<\/tr>\n
296<\/td>Teen Kanya<\/td>Satyajito Ray<\/td>\n<\/tr>\n
297<\/td>Teen Patti<\/td>Leena Yadav<\/td>\n<\/tr>\n
298<\/td>The Advocate<\/td>Deepa Dhanraj<\/td>\n<\/tr>\n
299<\/td>The Battle for Johannesburg<\/td>Rehad Desai<\/td>\n<\/tr>\n
300<\/td>The Bee, The Bear and The Kuruba\u00a0Nanga Jenu Nanga Karadi Nanga Ajja<\/td>Vinod Raja<\/td>\n<\/tr>\n
301<\/td>The Bond\u00a0Naata)<\/td>Anjali Monteiro & K.P Jayasankar<\/td>\n<\/tr>\n
302<\/td>The Call of the Bhagirathi\u00a0Bhagirathi ki Pukar<\/td>Anwar Jamal<\/td>\n<\/tr>\n
303<\/td>The City Beautiful\u00a0Sundar Nagri<\/td>Rahul Roy<\/td>\n<\/tr>\n
304<\/td>The Dance\u00a0Naach<\/td>Saba Dewan<\/td>\n<\/tr>\n
305<\/td>The Die is Caste<\/td>Ranjan Kamath<\/td>\n<\/tr>\n
306<\/td>The Dream of Hanif<\/td>Supriyo Sen & Jayanta Chakrabarty<\/td>\n<\/tr>\n
307<\/td>The Good Earth<\/td>Krishnendu Bose<\/td>\n<\/tr>\n
308<\/td>The Last Rites<\/td>Yasmine Kabir<\/td>\n<\/tr>\n
309<\/td>The Latent City\u00a0When<\/td>Krishnendu Bose<\/td>\n<\/tr>\n
310<\/td>The Loom\u00a0Saacha<\/td>Anjali Monteiro & K.P Jayasankar<\/td>\n<\/tr>\n
311<\/td>The Name of a River<\/td>Anup Singh<\/td>\n<\/tr>\n
312<\/td>The Name of a River<\/td>Anup Singh<\/td>\n<\/tr>\n
313<\/td>The One Tree Project<\/td>Shivanii (Helen) Jean Cameron<\/td>\n<\/tr>\n
314<\/td>The Other Song<\/td>Saba Dewan<\/td>\n<\/tr>\n
315<\/td>The Pink Mirror:\u00a0Gulabi Aaina<\/td>Sridhar Rangayan<\/td>\n<\/tr>\n
316<\/td>The Third Gender<\/td>Subrata Dutta<\/td>\n<\/tr>\n
317<\/td>The Voyeur<\/td>R. V. Ramani<\/td>\n<\/tr>\n
318<\/td>The Women Betrayed\u00a0Atmaghat<\/td>Sehjo Singh<\/td>\n<\/tr>\n
319<\/td>Theatre Girls<\/td>Kim Longinotto<\/td>\n<\/tr>\n
320<\/td>There Is A Fire In Your Forest<\/td>Krishnendu Bose<\/td>\n<\/tr>\n
321<\/td>They Who Walked Mountains<\/td>Manju Kak<\/td>\n<\/tr>\n
322<\/td>Think and get slim<\/td>Esther and Jerry<\/td>\n<\/tr>\n
323<\/td>Through the Window<\/td>R. V. Ramani<\/td>\n<\/tr>\n
324<\/td>Tintorettor Jishu (Bengali)<\/td>Sandeep Roy<\/td>\n<\/tr>\n
325<\/td>To the Green Tree\u00a0Zum Gr\u00fcnen Baum<\/td>Johannes Starke<\/td>\n<\/tr>\n
326<\/td>Train to Pakistan<\/td>Pamela Rooks<\/td>\n<\/tr>\n
327<\/td>Trikal<\/td>Shyam Benegal<\/td>\n<\/tr>\n
328<\/td>Trinkets and Beads<\/td>Christopher Walker<\/td>\n<\/tr>\n
329<\/td>Triyacharitra (Hindi)<\/td>Chatterji Basu<\/td>\n<\/tr>\n
330<\/td>Tunin\u2019 Technology to Ecology<\/td>Izzy Brown<\/td>\n<\/tr>\n
331<\/td>Turf Wars<\/td>Sanjay Barnela & Vasant Saberwal<\/td>\n<\/tr>\n
332<\/td>Turf Wars Revisited<\/td>Sanjay Barnela<\/td>\n<\/tr>\n
333<\/td>Under This Sun<\/td>Nilanjan Bhattacharya<\/td>\n<\/tr>\n
334<\/td>Unheard Voices<\/td>Anjali Monteiro & K.P Jayasankar<\/td>\n<\/tr>\n
335<\/td>Unlimited Girls\u00a0A Fearless Tale of Feminism<\/td>Paromita Vohra<\/td>\n<\/tr>\n
336<\/td>Utsav<\/td>Girish Karnad<\/td>\n<\/tr>\n
337<\/td>View From a Grain of Sand<\/td>Meena Nanji<\/td>\n<\/tr>\n
338<\/td>Vitthal<\/td>Vinoo Choliparambil<\/td>\n<\/tr>\n
339<\/td>Voces Argentinas<\/td>Zoe Young & Dylan Howitt<\/td>\n<\/tr>\n
340<\/td>Voices\u00a0Kuchh Awazen<\/td>Sameera Jain<\/td>\n<\/tr>\n
341<\/td>Volume Zero\u00a0The Work of Charles Correa<\/td>Arun Khopkar<\/td>\n<\/tr>\n
342<\/td>Waiting<\/td>Shabnam Ara & Atul Gupta<\/td>\n<\/tr>\n
343<\/td>Walkout: fit and strong (in 2 CD Pack)<\/td>Jane Fonda<\/td>\n<\/tr>\n
344<\/td>Water<\/td>Deepa Mehta<\/td>\n<\/tr>\n
345<\/td>Water Business is Good Business<\/td>Sanjay Barnela & Vasant Saberwal<\/td>\n<\/tr>\n
346<\/td>We Corner People:\u00a0Hami Kunako Manche<\/td>Kesang Tseten (Lama)<\/td>\n<\/tr>\n
347<\/td>When Four Friends Meet<\/td>Rahul Roy<\/td>\n<\/tr>\n
348<\/td>Where Are You?\u00a0Nee Engey?<\/td>R. V. Ramani<\/td>\n<\/tr>\n
349<\/td>Where Healing is a Tradition<\/td>Gargi Sen<\/td>\n<\/tr>\n
350<\/td>Where the Heart Lies\u00a0Dar Pa Dar<\/td>Samar Minallah<\/td>\n<\/tr>\n
351<\/td>Where's Sandra<\/td>Paromita Vohra<\/td>\n<\/tr>\n
352<\/td>Who is Afraid of Little Girls?\u00a0Akha Teej<\/td>Sehjo Singh<\/td>\n<\/tr>\n
353<\/td>Whose Water?<\/td>Krishnendu Bose<\/td>\n<\/tr>\n
354<\/td>Word Within the Word\u00a0Sabad Nirantar<\/td>Rajula Shah<\/td>\n<\/tr>\n
355<\/td>Words on Water<\/td>Sanjay Kak<\/td>\n<\/tr>\n
356<\/td>Work in Progress\u00a0At The WSF 2004<\/td>Paromita Vohra<\/td>\n<\/tr>\n
357<\/td>Workers - Routes of the Globalization<\/td>Tommaso D\u2019Elia<\/td>\n<\/tr>\n
358<\/td>YCP 1997<\/td>Anjali Monteiro & K.P Jayasankar<\/td>\n<\/tr>\n
359<\/td>Yoga: Mudras of the human body<\/td>Ashram Anand<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Sr. No.Name of the FilmsDirector 115 Park AvenueAparna Sen 216mm Memories MovementManoj K.R. 317 August: Alexander GutmanAlexander Gutman 436 Chowringhee LaneAparna Sen 568 PagesSridhar Rangayan 67 Islands and a MetroMadhusree Dutta 7A Bit of the Earth, A Bit of the Sky\u00a0Thodi Si Zameen Thoda Aasmaan\u00a0GuptaShashi Ghosh 8A Day in the Life of Ponga PanditSanjay Maharishi […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"no-sidebar","site-content-layout":"plain-container","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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Maharishi…","_links":{"self":[{"href":"https:\/\/iias.ac.in\/library\/index.php?rest_route=\/wp\/v2\/pages\/2804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iias.ac.in\/library\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/iias.ac.in\/library\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/iias.ac.in\/library\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/iias.ac.in\/library\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2804"}],"version-history":[{"count":5,"href":"https:\/\/iias.ac.in\/library\/index.php?rest_route=\/wp\/v2\/pages\/2804\/revisions"}],"predecessor-version":[{"id":3010,"href":"https:\/\/iias.ac.in\/library\/index.php?rest_route=\/wp\/v2\/pages\/2804\/revisions\/3010"}],"wp:attachment":[{"href":"https:\/\/iias.ac.in\/library\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}